“Modern art is communistic because it is distorted and ugly…It does not glorify our beautiful countries and therefore it’s opposed to our government and culture. Those who create and promote it are our enemies.” U.S. Rep. George Dondero [R-Michgan 18, 1953-1956]
Combating degenerate art today as our people have done for centuries
by contributing writer
Francois M Arouet
One utterly diabolical technique subversives are best at is passing off degenerate filth – and that which is ugly – as pure, artistic and beautiful.
Art pundits, like Clement Greenberg, claim that “art is a mere reflection of the times”, but what if art is being utilized as an instrument, even a weapon to influence change, instead of being merely a product of it?
What if it is being used to dictate the times, rather than reflect them?
Just think about what’s being passed off as modern art, music and pop culture today.
John de Nugent, who has covered Greenberg’s evil “art” for years writes,
“Jill Greenberg is a sadistic child-torturer who makes a profit out of selling photos of innocent children suffering. All under the cover of “artistic” “freedom.” She depicts fair-haired children as sweaty, ugly and fat as well.”
As per Wikipedia.
“Greenberg’s work and career have focused intermittently on feminist issues, starting with her senior thesis at RISD, “The Female Object”. Her more recent Glass Ceiling series stems from a commercial shoot in which Greenberg was asked to photograph members of the U.S. Olympic Synchronized Swim Team swimming in high heels, an element that heightens sexuality while also hampering ability. According to a press release/bio released ahead of an exhibition and talk, “The result is a sadly relevant series of shots depicting women struggling to keep head above water in a context defined by the constraints pressed upon them by others.”
Doesn’t she sound just lovely….
And just so Ms Greenberg doesn’t come across as too conspicuously anti-white, she also tortured a black kid on the day. Vile witch.
Although 21st century conservative pundits and critics of modern art will argue that Ms Greenberg is being promoted solely because of her Leftist politics, is this really what is at play here?
Promoting sadistic images defiling and abusing children, rewarding artists creating brutally ugly and heretical imagery, has more to do with the dangerous impact it has on our people, the undermining of our traditional Christian culture and smashing moral and traditional artistic norms to pieces – key components of cultural Marxist theory – than simply rewarding talentless Leftist hacks, as the likes of Bill O’Reilly would argue.
Then there’s admitted Marxist, Cleon Peterson’s, honourable work…
Enough said….
Now survey the music that is garnering awards and critical acclaim today….
Lady Gaga, Beyonce, Cardi B (who infamously and quite comically recently interviewed Joe Biden for Elle Magazine’s YouTube channel), Amy Winehouse, Katie Perry and other subversive shills have all won Grammy Awards for their contribution to music, while American icon John Fogerty of Creedence Clearwater Revival notoriety, had to wait decades for recognition from the National Academy of Recording Arts and Sciences, in spite of the fact he composed music deeply critical of the war in Vietnam.
Just being a Leftist is not going to cut it. You MUST subvert if you want notoriety in today’s entertainment industry. Fogerty sang traditional folk-inspired rock ‘n roll. That was simply not going to cut it for the Academy, ESPECIALLY as he is white, male and heterosexual (with kids he created naturally) – an intersectionality NO, NO and NO (and NO)….
Now have a gander at the sort of fiends controlling the evil music industry and ask yourself what they are motivated by.
Is it solely money that drives these demons, as some would argue?
No, certainly not.
Although money matters, these people are driven by an ideological as well as a racial hatred and deep-seated desire to destroy us from within, FIRST and foremost.
Now let’s have a gander at, on the one hand, the people involved in art punditry during the heyday of European art, skill and beauty, and, on the other, look at the art critics today who are behind the “prestigious” Guggenheim Award and Turner Prize today.
Common denominator: same Left wing anti-western hatred.
The background and political leanings of the men and women dictating what has value and what does not, has changed little since the late 19th century when masters like Arnold Böcklin (Swiss painter of Isle of the dead), Ferdinand Öhme (“Burg Scharfenberg bei Nacht,” pictured below) and other German and Swiss symbolist geniuses were marginalized so that foreign degenerate art could be peddled to the public.
According to Greenberg, Ernst Ferdinand Öhme’s and Arnold Böcklin’s glorious works couldn’t hold a candle to paintings like these….
In defense of Europe’s move towards subversive abstract and Marxist degenerative art, Clement Greenberg wrote that the work of European classical and symbolist artists, and of Böcklin in particular, was “the most consummate expression of all that’s disliked from the latter half of the nineteenth century..”
Huh? Disliked by whom, Mr. Greenberg?
He also opined that the “French were simply better” at art and artists like Böcklin and Öhme needed to stand aside to make room for men like César Klein, Monet and Picasso.
And not because they were French or Spanish I’d argue, just because they were NOT German!
Anything to undermine the indigenous population of Christendom, eh Greenberg?
Anything to replace that which is beautiful with plain ol’ UGLY and subversive.
Abstract art, shoddily crafted water colours and overtly Communistic crap were promoted relentlessly while beautiful masterpieces were dismissed.
During the 1920s CPUSA members (the Communist Party of the USA) received written instruction from Moscow to promote non-representational or abstract art so that the US’s “public space would become gloomy and ugly”.
The Soviets, following the lead of Marxist theoreticians like Antonio Gramsci, a Jewish Italian, believed that Americans, like their Western European counterparts, were resistant to Marxist subversion on a political level, as, generally speaking, life was good. They believed that societal subversion through the theories pushed by radicals in Germany’s Frankfurt School would sap Americans’ will to resist Communist ideology and facilitate an eventual Communist coup. The explicit objective was to erode the self-confidence of America’s ruling WASP elite and create an ideological vacuum — to be filled by Marxism-Leninism.
Economic communism in Russia resulted in abject poverty, human suffering & death everywhere it was implemented-as planned by its Zionist creators. The problem was it had little impact on Western Europe. The communist expectation of the worldwide worker revolt the genocidal Bolsheviks had in mind simply did not take root in Europe. People were too fiercely proud of their nations and had no interest in joining some nonsensical global worker’s struggle. The fact that it was a con only added to Western Europeans’ aversion to the Communistic rabble rousers polluting their lands, and their false ideology. Still, that did not stop these fiends.
Marxist philosopher, Antonio Gramsci proposed a form of cultural communism, commonly referred to as cultural Marxism, via the Frankfurt School. If you are not familiar with Gramsci’s diabolical writings, he surmised that Marxism could only make inroads in wealthy, “happy” western societies by subverting existing institutions. In other words, complete hegemony over cultural institutions (media, academia, political parties, churches) was necessary to tear society down. Any surprise US president Obama names Gramsci as his biggest ideological influence?
The Frankfurt school were a ragtag group of anti-Western Marxist and anti-Christian racists with an axe to grind.
To call them academics or social scientists would be giving them FAR too much credit.
Being forcibly removed from Germany during the rise of the Nationalsozialistische Deutsche Arbeiterpartei (NSDAP), the Frankfurt School set up shop at Columbia University in NY, where they experienced infiltrated “popular music, radio, television, and other forms of mass culture” (Wiggershaus 1994). The school consisted of dissident Marxists who believed the West could ONLY be subverted through a consistent attack on its culture, religion and traditions. Criticism of the school is often seen as an anti-semitic canard; however, the fact remains that Felix Weil, Georg Lukács, Karl Korsch, Karl August Wittfogel, Friedrich, Antonio Gramsci, Max Horkheimer, Carl Grunberg, Theodore Adorno, Leo Lowenthal, Herbert Marcuse, Franz Neumann, Otto Kirchheimer, Friedrich Pollock-the founding members of the exiled school, were all Jewish. They were exiled from Germany for their Marxist activities, NOT their ethnicity.
We at Johndenugent.com believe that our culture is inherently beautiful and any attempt to subvert it should be met with ferocious opposition. While our enemy is responsible for much of the misery we see in our midst, our art should reflect all that we hold dear. We should resist their perversion with every fibre of our beings! Still, we are in quite a quandary as art will, and to a certain extent should reflect life. Sadly, much of our modern music is a reactionary response to the misery our oppressors have perpetrated against us via their subversion.
As we’ve done with our good name, we shall reclaim art, beauty and traditional normal heterosexuality from our oppressors!
End article FM Arouet
Check out her nails!! Classy gal
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……Addendum by JdN: GREATEST SONG OF THE 1970s?
“WHO’LL STOP THE RAIN?”
… shows Fogerty was subverting the Deep State, not white society.
The lyrics by lead singer John Fogerty about the “tower” refer to the “Lord of the Rings” cycle of novels by Tolkien (who was huge in the 1960s), and to the ring of gold, to the tower of the evil Lord Sauron, and thus indirectly to THE JEWS.
Note the evil eye is reptilian….
.https://www.youtube.com/watch?v=Q1qGB4d-7nw
“Five-Year Plans and New Deals” refer to the fake social programs of both communism and capitalism, both shell games of the JEWS. If you never understood this song, then now you can doubly enjoy it by “getting it” for the first time!
“Who’ll Stop The Rain”
Long as I remember,
The rain been comin’ down.
Clouds of myst’ry pourin’
Confusion on the ground.
Good men through the ages
Tryin’ to find the sun.
And I wonder,
Still I wonder
Who’ll stop the rain?
I went down [to] Virginia,
Seekin’ shelter from the storm.
Caught up in the fable,
I watched the tower grow.
Five-Year Plans [communist/Stalin] and New Deals [Roosevelt/Truman]
Wrapped in golden chains.
And I wonder,
Still I wonder
Who’ll stop the rain?
Heard the singers playin’,
How we cheered for more?
The crowd had rushed together
Tryin’ to keep warm.
Still the rain kept pourin’,
Fallin’ on my ears.
And I wonder,
Still I wonder
Who’ll stop the rain?
It is indeed time to “stop the rain.” The misery….
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She is a complete degenerate. She celebrated her birthday here in Las Vegas this week and had a crew of rappers with her. All criminals. We are also having a crime wave on the Strip currently so she and her crew fit right in.
Our city has been run by a Jewish mayors for some time, a husband and wife team — the husband being a famous mafia lawyer that defended a literal mass murderer.
Thanks. Well, the city WAS founded by (((Bugsy Siegel)) of the (((Mafia))). 😉
John, what do you think should be done to disgusting male pornographers who abuse women ? A lot of women only do it for the money and would never do it if it wasn’t for the money -male pornographers like this disgusting piece of shit https://www.dailymail.co.uk/news/article-9915039/Pornstar-Peter-Norths-estranged-wife-claims-beat-11-times-years-raped-her.html
Sickening… End Times